Creative nonfiction / Growing up with a new nation: The Dhaka we once knew

Here are 7 single issues that can serve as gateways into the superhero worlds.

Clouds pile upon clouds And the world darkens Why keep me waiting by the door then, All, all alone?

In the song-lyric numbered 230 in Gitabitan, Rabindranath Tagore’s comprehensive compilation of such verse, we find his delight at capturing the loveliness of the world outside his window in a song-lyric: “I’ve caught uncatchable loveliness in rhyme’s binds—/The loveliness of a distant night-bird/Singing at a late hour of the night/ Wings crimsoned by ashoka flowers of a departed spring/And a heart filled with the fragrance of fallen flowers” (my translation).

How often would I lose myself thinking I would bare my heart at your feet? I would fancy holding on to it tightly And confessing: “I love you passionately!” But I would think too: a heavenly angel— How could I show my love so openly then?

Away from the festivities and communal interactions that make Ramadan special, this year, books seem like a fitting avenue through which we can explore the lives of Muslims across the world. From biographies to novels, for children and for adults, these authors have penned stories that are both wholesome and enlightening.

The books authored and published during a war always have an archival quality; they capture the time in its crudest form. They are a seamless blend

The globetrotting hero-reporter, he of the blonde quiff and the plus four trousers, had many an adventure throughout a 46-year-long run under

With the demise of Game of Thrones, Netflix seems best poised to offer a replacement—with The Witcher gearing for a second season and now

At Night All Blood Is Black (Farrar, Straus and Giroux, 2020; transl. Anna Moschovakis), shortlisted for the 2021 International Booker Prize, is a

Satyajit Ray, born on May 2, 1921—a hundred years ago from this day—hails from a long line of Rays. His grandfather, Upendraishore Ray, was the first storyteller of the family, followed by father Sukumar Ray, master of the fun and formally experimental verse fondly remembered as the HaJaBaRaLa, a children’s novella often compared to Alice in Wonderland.

In “Gandhi and Nehru: The Uses of English,” an essay written by Sunil Khilnani from the 2010 collection of essays edited by Arvind Krishna Mehrotra, A Concise History of Indian Literature in English, we are told about how the two leading figures of Indian independence not only used the English language to write back against empire, but played important roles in “the long, uneasy and interminable task of making English an Indian language.”

A backstreet, wet at nightfall — a silk sari unfurled. Iridescent black. Autumn leaves — Splashes of gold under streetlights. Rain in Lund Is the same as in a Dhaka backstreet.

From the tree I’ve climbed only once Years ago, at the height of childhood innocence I scraped and bruised my way to the top Monsoon soaking my skin To survey this timeworn town Of rusty tin huts and clay I listened to the storm-created symphony on the roof Nature’s old-fashioned xylophone And as the storm grew heavy,

On the occasion of World Book Day 2021, The University Press Limited (UPL) have initiated a literary criticism competition to be held from April 23 to May 31, the first part of which is set to conclude at 12 PM on May 7. The competition will be conducted virtually through Facebook, with every participant receiving an additional 5 percent discount on top of the ongoing discount on any order placed through the UPL page on the social media website. In addition, five contestants will be awarded UPL coupons at the end of the competition.

The Commonwealth of Cricket: A Lifelong Love Affair with the Most Subtle and Sophisticated Game Known to Humankind (HarperCollins India, 2020) is Ramachandra Guha’s latest book on cricket. It is his ode to a game his mother introduced him to at the age of four, and his father told him stories of.

In my book, Identity of a Muslim Family in Colonial Bengal: Between Memories and History (Peter Lang, NYC, 2021), I focus on the era of pre-Partition Bengal, trekking through old family recollections, oral anecdotes, memoirs, and other available books and documents on pre-independence India, and blend them with the larger history of British Bengal.

A good story is hard to find. Niaz Zaman, the editor of The Demoness: The Best Bangladeshi Short Stories, 1971-2021 (Aleph Book Company, 2021), has found 27 “best” short stories to create an appetite for Bangladeshi fiction.

My late grandmother would immerse herself in the rhapsodic melody of Muhammad Iqbal’s poems in Urdu, recite them aloud while taking a stroll around the house and say, “Eta ek alada shaad, banglay er khoj milbe na—this is a different taste, one wouldn’t find it in Bangla”. A few years later, Shankha Ghosh’s masterful translations of Iqbal’s poems would appear in the anthology, Iqbal Theke (Papyrus, 2013). My grandmother was so delighted to be proven wrong. This is one atop a long list of reasons why I am indebted to Ghosh—for the sweetest memory of my grandma.

A new British Council-funded project, Write Beyond Borders, is set to kickstart its inaugural episode from May-October 2021. The program is designed for “emerging writers” of South Asian background, who can be based anywhere in the UK, Bangladesh, India, and Pakistan. The deadline for application, which should include a covering letter and a writing sample of no more than 2,000 words, is April 30, 2021.

During the recent weeks of lockdown, these five books—ranging from historical fiction to memoirs to fantasy to romance—allowed me to disappear into stories, to live many lives, and they reminded me how vast the world was and will soon again be.