Halloween is merely a cover--our lives seem plenty steeped in horror this year, confined within physical and psychological walls, breathing in

When I was a child, every night, I’d ask my parents to tell me a story when they tucked me into bed. From talking trees to scheming foxes, the mystical realm of Bengali folklore was a bottomless well from which my pre-adolescent mind drank with thirst. It led me to what can only be deemed as the Holy Grail of Bengali folklore: Thakurmar Jhuli (1907).

Effigies with their own minds, tinkling music boxes, mysterious cracks in the wall, and a long-haired spectre trailing the grounds of a vast,

Rumaan Alam is interested in contradictions—our presumptions of who should own what, in the textures of modern life.

On the 132nd birth anniversary of Eugene O’Neill, the Shakespeare of American Theater, the question is: did he ever die?

A discussion of Translation and its theories often remains circumscribed to a discourse arguing about the issues of authenticity.

With the US elections looming, the tabloids are mostly fixated on the orange man. Few know about the roles of his calmer and more composed counterpart,

I am not a Bangladeshi immigrant living in a Bangladeshi neighbourhood somewhere in Kilburn, London like Samad Iqbal and his family from White Teeth (Hamish Hamilton, 2000).

As of this writing, the United States is currently in the final weeks of its most partisan and controversial presidential election in 150 years,

Hashim & Family (John Murray, 2020) takes us on a journey across two countries, spanning two decades. It begins with the titular Hashim moving from East Pakistan to Manchester in the 1960s in hopes of a better living, inspired by his cousin Rofikul, himself an immigrant of a few years.

The spirits of the forest

Something missing from this dish and that.

I’ve been screaming for so long My aching throat feels raw,

Back in the mid-90s when I was majoring in English literature at a public university in Dhaka, Bangladesh, I was a cricket buff. For the Bangladeshis, cricket was a transnational love affair in the 90s.

Of all the notable works done on visual media in our country, Shabash by Mighty Punch Studio came as a welcome surprise to me. From the tone of storytelling to the beautiful visuals, Mighty Punch Studios paint a unique stroke.

Louise Glück’s poetry is at once deeply personal and ubiquitous. Articles explaining her work demur from calling it confessional, and they may be right. It doesn’t feel like the thoughts and feelings of another; the speaker confessing seems more vulnerable, as if they’re opening up directly to you. The sceneries she weaves are odd and alluring, and behind the deceptively simple lines are layers of meaning.

Ginger, lemon juice, or a dash of honey added to a warm cup of tea. Some variation of this remedy to common cold is a familiar one in Bengali households.

Yale University Department of History chair Alan Mikhail’s new book God’s Shadow: Sultan Selim, His Ottoman Empire, and the Making of the Modern World (Liveright, 2020) takes a much-welcomed fresh look at Selim I, a figure of signature cultural and historical importance in Turkish history.

Kazi Nazrul Islam needs no introduction to those familiar with Bangla literature. He and his works are, for cogent reasons, less known in other circles.

My mother has a habit of staring intently at reflective surfaces. When alone, she will look directly into mirrors with a vacant look in her eyes.