The Bangladesh Shilpakala Academy has announced that all previously scheduled events and exhibitions will resume from December 21, 2025, following the conclusion of the state mourning period.

Bangladesh Udichi Shilpigoshthi took to the streets of the capital this morning, staging a protest march and rally to condemn the arson attack on its central office—an assault that, the organisation says, has wiped out 55 years of cultural archives and struck at the heart of the country’s progressive movement.

A photography-based platform, Chobir Golpo, has announced a nationwide photography competition titled “The story of returning home after 17 years”, centring on BNP acting chairman Tarique Rahman’s return to the country.

Bangladesh Shilpakala Academy has announced the suspension of all its programmes and exhibitions, citing security risks

Young artist Khing Shai Mong Marma, who has long been engaged in artistic practice and has participated in numerous group exhibitions at home and abroad, is set to inaugurate his first solo painting exhibition, titled “Rowa Daw,” in Bandarban on Friday at 4 pm.

The narrative insists that this is not an isolated story. It could unfold in any country, any city.

A group photography exhibition documenting the life, culture and traditions of the Manipuri community in Bangladesh opened at the Bishwo Shahitto Kendro Art Gallery in Banglamotor on December 12.

Munier Chowdhury, Syed Waliullah, Nurul Momen and Sayeed Ahmed were already testing the limits of expression through plays such as “Kabar”, “Bohipir”, “Nemesis”, “Kalbela” and “Trishna”. Politics haunted these works, but repression kept them from fully unfolding.

A week-long cultural festival featuring Mro children and members of the indigenous community from Bandarban has begun at Alliance Française de Dhaka. Titled “Pawmum Parban 2025”, the festival started today and will continue until December 24.

Veteran actor Faruk Ahmed is set to make his debut as a theatre director with “Rangmahal”, marking a new chapter in his more than four-decade-long association with Dhaka Theatre.

The nation will mark the 54th Victory Day with a comprehensive programme that combines spectacle and remembrance, featuring parachute displays, live music, theatre, television broadcasts, and community-led cultural events, all coordinated by the Ministry of Cultural Affairs, Bangladesh Shilpakala Academy and different national TV channels.

Necropolitics— a social or political power that determines who gets to live and who does not. Just the thought of this unfair monstrosity makes one shiver, doesn’t it? But it is the way of the world now. To make a bold statement against necropolitics all around the world, The University of Liberal Arts Bangladesh (ULAB) presented “Rupantor: The Resonance Show”, a sustainability-focused fashion and performance project that transformed discarded materials into wearable narratives, with design, movement and social reflection.

Titled “Apon Aloy Shahid Mahmud Jangi: Gaaney Gaaney Souttor,” the programme brought together musicians, writers, and cultural figures to reflect on Jangi’s contribution to Bangladeshi music. The event was organised by Ajob Karkhana.

Choudhury offered a stark diagnosis of the present. Bangladesh, he said, is moving away from the spirit of the martyred intellectuals for two reasons: a shrinking practice of history and its growing distortion; and a widening distance from the dreams and consciousness of the Liberation War.

Cultural affairs adviser Mostofa Sarwar Farooki inaugurated the exhibition as chief guest. Renowned artists Professor Dr Abdus Sattar and Professor Mostafizul Haque attended the event as guests of honour, while Mr Sheikh Rezauddin Ahmed, director general of Bangladesh Shilpakala Academy, presided over the ceremony.

The festival — a joint initiative of Dhaka University Central Students’ Union (DUCSU), the Mohanagar Natya Sangsad, the Ministry of Cultural Affairs and the Literary and Cultural Centre — runs from Thursday through Saturday and is timed to coincide with Victory Day commemorations.

In this series of mixed media on paper on his own native histories and legacies, Firoz Mahmud draws on the histories of his home in the Bengal region, where many communities and their cultural sites, agriculture, and industries have been transformed by constant colonisations over nearly 2,000 years. Although the rulers of the region legendarily staved off an attack by Alexander the Great in 325 BCE with a cavalcade of elephants, the people and fertile land of the greater Bengal region — spanning present-day Bangladesh and India — have endured continuous waves of military invasion and civil war, including the Islamic conquest led by the Ghurid general Muhammad bin Bakhtiyar Khalji, the Mughal annexation during the reign of Emperor Babur, the defeat of Nawab Siraj-ud-Daulah by the British East India Company, and later, large-scale intercontinental migrations following the Partition of Bengal along the Radcliffe Line and the subsequent Bangladesh Liberation War.

The ‘24th Young Artist Fine Arts Exhibition 2025’ opens today at Bangladesh Shilpakala Academy, featuring 215 artworks by 191 emerging artists from across the country.

Cast and crew of “Café de Volte” — a Hunt Inc production — pose ahead of the play’s staging on 7 and 8 December 2025 at 7:30pm at the Studio Theater Hall, Bangladesh Shilpakala Academy. Set in the quiet yet decaying town of Jinjira, the production follows Max D’Rosario, a gifted chef whose restaurant opening becomes a battleground of conscience. Directed by Diana Merline, the show features Md Shahzada Somrat Chowdhury, Abdullah Al Zadid, Priom Majumder, Yead Khorshid Eashan, Maliha Fairuz Farin Melisa, Noor E Jannat Orisha, Supriyo Ghosh, Progga Chanda, Diana Meriline and Shuvashis Halder.

Based on a story by Smritikumar Singh, the play traces the life of Dhwajo, a master craftsman celebrated for building traditional Manipuri houses.