Sharmin Joya

Cyberbullying is a growing global concern, intensified by rapid technological advances. Women, whether public figures or ordinary individuals, increasingly face online harassment, abusive comments, and AI-generated content, affecting their mental health and social life—often worsened by victim-blaming. Many of these acts are criminal offences, yet questions remain about accountability and legal protection. To explore these issues, we spoke with singer Dola Rahman, a Barrister-at-Law and Advocate of the Supreme Court of Bangladesh.

Whether an actor, athlete, singer, journalist, a corporate, or as a woman, they have to carry the burden of such acts regularly. Every form of abuse must be addressed. And in this era of technology, where it takes seconds to post a derogatory comment, the response should be just as swift. Clear rules are needed to ensure that accounts can be properly identified, regulated, and held accountable. Without this, we only empower abusers to continue.

In closing, Sarika expressed her desire to step into the silver screen and said she has been preparing herself for that transition. “If I get a good story, I would definitely want to take it on. At this phase, the great thing is that directors and actors are working across all mediums, and the film industry is doing really well.”

When “Little Miss Chaos” premiered on Chorki, audiences were instantly drawn to Ira — a fiery, bold young woman played by newcomer Sadnima Binte Noman. Her natural, unfiltered performance captured hearts and introduced a promising new face to Bangladesh’s OTT scene.

“I will be extremely careful about what I post on social media from now on,” he stated. “My wife is a news presenter, and I believe that if I, as a man, can contribute to creating a safer environment in the media, she too will be safer—it’s all connected. I would never intentionally disrespect any woman in my life.”

“Being a student after a long time was quite interesting — that too when I am a teacher myself,” shared actor Manoj Pramanik, who recently returned from Busan, South Korea, after seven months. The actor-turned-producer came back with a renewed and deeper understanding of the world of cinema. During his time there, he attended a film production course at the Busan Asian Film School (AFiS). Manoj has been teaching at the Department of Film and Media Studies at Jatiya Kabi Kazi Nazrul Islam University since 2016.

“I’ve noticed for a long time that many fake pages are using my photos and video interviews, claiming I lost weight by using their products,” said Runa. “But what can I even say to them? I’ve shared my real journey so many times—it’s been more than four years now. And when I see my own colleagues involved in such activities, using these products, or even going through surgeries, I honestly have nothing more to say.”

From envisioning a project from its inception to its final execution, directors are the engine of any project. They not only curate the narrative but also ensure it is well-defined, with the hope that their vision will be relatable to the audience.

Music often serves as a form of therapy, and when it comes from a film, it carries an even deeper power, bridging the audience with the characters and their stories, enhancing the emotional flow. “Megh Balika” from the Shihab Shaheen directorial web film “Kacher Manush Dure Thuiya” is one such song that beautifully captures this essence.

Experimenting with dark content has always been one of director Vicky Zahed’s strengths as a storyteller. This time, his web series “Chokro”, based on a dark yet real-life plot, earned him the Best Director (Series) award at Blender’s Choice – The Daily Star OTT & Digital Content Awards this year.

One of the most popular directors in the country, Kajal Arefin Ome won over audiences with his much-acclaimed television project “Bachelor Point”. His talent was not limited to comedy; he ventured into romance, family drama, and tragedy as well. Such is his project “Osomoy”, a production that blends family drama, romance, and tragedy with a touch of comic relief.

His realisation while making the show will remain with him forever, as he shared while concluding. “They shaped the entire show and, in many ways, added depth to our own lives, making us realise so much about the world and ourselves. Winning an award for such a work is beyond words.”

But what about acting? Zinnat smiled and replied, “If I get roles that allow me to tell real stories, I’ll gladly take them. While shooting, we were often reminded not to focus on looking our best in front of the camera, but rather to tone it down and stay true to the character. That experience gave me the confidence to believe that artistes can truly become anyone once they step into a role.”

Upon her return from the United States, actress and dancer Parsa Evana brought back more than just fond memories of a lovely holiday with her mother. She also gained valuable training in both acting and dance.

"I am fortunate that in the initial years of my career, I got the opportunity to work with such great filmmakers,” recalls Sadia Ayman from one of her old interviews with The Daily Star. Her aim for the stars led her to a place where she is now making her mark in the glittering world of showbiz.

Heme pointed out that after the monetisation of photos was introduced recently on social media, many are grabbing the chance to make a business out of this.

Humble by nature, young musician Angel Noor has already created music in his short career that holds a special place in the minds of music lovers.

He began his journey with Goutam Koiri’s “Antonagar” (2023) and quickly gained recognition through standout performances in Mostofa Sarwar Farooki’s “840” (2024), Vicky Zahed’s “Tithidor” (2024), and Ashfaque Nipun’s “Jimmi” (2025)—projects that significantly boosted his career. In conversation with The Daily Star, the actor reflected on his recent work and shared insights into his creative process.

Reminiscing on the historic August 5 is filmmaker and activist Ashfaque Nipun, who was actively involved throughout the entire uprising and has been a participant in the anti-fascist movement for the past 17 years.

In those charged days, artistes from across the country stood with the people. Musicians, too, found their voice in the revolution. They came together under a single banner, "Get Up, Stand Up"—a name borrowed from Bob Marley’s timeless anthem. And with that spirit—“Get up, stand up, stand up for your rights”—they raised their voices not just for rights, but against brutality, mass killings, and fear that soaked the monsoon nights.