Saeed Khan Shagor

The story of "Gullak" is essentially a commentary from a piggy bank—a clay one that silently witnesses the everyday lives of the Mishra family. Through Gullak's eyes, we see the events that unfold within the Mishra household. Each family member's crises revolve around real-life issues that any middle-class family can relate to. A two-room house with a small courtyard and narrow terrace sets the scene. Directed by Amit Raj Gupta and written by Nikhil Vijay, "Gullak" paints a vivid picture.

Penned collaboratively by Aditya Sengupta and Hasanat, the plot unfolds with the mysterious death of rising cricket star Apu, who dies under suspicious circumstances after delivering a stellar performance as Man of the Match. Investigating his brother’s death, Topu begins to unravel a series of enigmas, including rumours linking the country’s biggest cricket star to the incident. As he delves deeper, Topu uncovers interconnections in the betting world, leading to a cascade of sensational revelations. The episodes are aptly titled with cricket terms: Powerplay, How's That, Decision Pending, Caught Behind, Inside Out, Strategic Timeout, and Death Over. 

Even though “Golam Mamun” is a spin-off series, Shihab Shaheen uses it to reflect our current socio-political realities through fiction and brief dialogues, highlighting numerous inconsistencies in our surroundings. However, we should question his portrayal of everything under an invisible shadow, or ‘Hukumat’. This ‘invisible’ aspect implants a spectral reality in our minds, which eventually seems insurmountable. The ruling apparatus takes full advantage of this, becoming more active in masking their failures. 

As Eid-ul-Azha approaches on June 17, 2024, film enthusiasts are eagerly anticipating the seasonal cinematic offerings. For cinema halls, this period is a vital one, as it brings a surge in audience numbers.

"Panchayat" was released during the India Lok Sabha elections. Currently, political instability prevails across India and the subcontinent. In such times, "Panchayat" showcases the true face of grassroots-level politics. The politics of Phulera village is the essence of real politics. These are the root-level voters, easy to manipulate, where mob justice can be swiftly created, and rumours spread with alarming ease; all of which are significant weapons in contemporary politics.

As police officer Jahangir drives home, clutching a small glass bottle, his recent completion of a murder mystery assignment brings him no sense of triumph. Unbeknownst to SI Miraz, he is caught in a time loop, unsure of its destination. Shehzad, with his enigmatic persona, sets the stage, leading the audience seamlessly from a Bangladeshi web series' murder mystery to the realm of science fiction. I'm referring to the recent release of “Kaalpurush” on the OTT platform Chorki, a series quickly gaining acclaim for its adept fusion of murder mystery and sci-fi elements.

The morning dawns, darkness not yet fully dispelled, and the sound of crickets persists. Shailaja (played by Shefali Shah) walks alone, silently, her footsteps echoing through the narrow path that leads to the home she left in Kokan, where her childhood memories lie buried. She stands by the well, the same well where she lost her childhood playmate, her sister. For a brief moment, she stands there, as if preserving her 28-year-old memories. Then, with a heavy heart, she resumes her journey. As the curtains fall on this tragic film, the aforementioned final moment of “Three of Us” embodies a profound transformation, akin to a decree of tragic poetry.