Mobile Suit Gundam: The Origin is the perfect prologue to the epic sagas of Gundam

Mobile Suit Gundam – the franchise – is a cultural behemoth. It has consistently set the image of the “giant robot” throughout multiple decades, produced a great multitude of sequels, prequels, and spin-offs, and branched off into multiple alternate universes, all while inspiring other media that have become juggernauts in their own right. For many ardent fans of Gundam, Mobile Suit Gundam (1979) – the very first one – is the best entry point. But for those unwilling to jump right away into a show that was produced almost half a century ago, Mobile Suit Gundam: The Origin (2015) – a six-part OVA series – is superior not just in technical terms but is also richer overall.

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The Origin serves as a prequel to the 1979 series but is also its partial retelling. It is set in the Universal Century (UC) timeline and covers the events culminating in the One Year War – the momentous conflict which serves as the stage for much of UC Gundam media, while holding great significance as a pivotal historic event for shows set further along in the UC timeline. The story encompasses the political struggle for independence; intricate webs of ego, self-interest and political intrigue; and the brewing war for domination over the future of humanity, all rolled into the vehicles of space naval battles and giant robots.

Humanity, by 68 UC, had set up clusters of gargantuan space colonies orbiting Earth, with one such cluster being Side 3, Munzo, later named 'Zeon'. It would be named so after Zeon Zum Deikun, the philosopher-leader who led Side 3 colonies to autonomy and who died under mysterious circumstances on the day he was supposed to formally declare independence. The story follows his children, Casval Rem Deikun and Artesia Som Deikun, who had to flee the colony in the face of political conspiracy, leaving their mother behind. The two siblings, inseparable as they are in the beginning, soon set off on wildly diverging trajectories in life, and this is a thought-provoking case study that the show presents, given that the two of them begin at the same dark place, bearing the same loss and trauma, a dynamic that calls back to Johan and Anna from Monster (2004).

The Origin, as a prologue to Gundam (1979), focuses on the intricate relationships and rivalries of the characters belonging to the Zeon camp in Gundam, particularly the Zabi family, whose patriarch, Degwin Zabi, installs himself in the seat of power following Deikun’s demise. Degwin, as well as his children, Gihren, Kycilia, Dozel and Garma, are textured richly, as are the couple Ramba Ral and Crowley Hamon, and the series leverages their layers to the utmost in riveting waltzes of conflict and collaboration that, by the end of it, leave you wanting to spend more time with the characters and the world they inhabit.

Intertwined with the prelude to the One Year War is the beginning of the legend of a man who would play a decisive role in both the war’s outbreak and its cessation. Known as the ‘Red Comet’, Char Aznable – the veneer of ever-reassuring competence, the ruthless tactician beneath, and the ego, emotion and vengeance at the foundation of it all – is singularly the character that makes The Origin special. His sister, Sayla Mass, strong-willed yet gentle in spite of the trails of tears left behind, serves as an unparalleled foil. And as the world they both know lunges headfirst into catastrophe – as billions of dreams are vaporised and the earth itself is pummelled from the skies beyond – we are left wondering whether the siblings’ paths would ever intersect and in what circumstances.

Through its politics and people and the ubiquitous tension between them, Mobile Suit Gundam: The Origin thus weaves acute anticipation in its viewers, making it the perfect prologue for those who wish to embark upon the worlds of Gundam.

Nayeem spends his days and nights reading case law and watching sci-fi anime. Tell him to catch a wink of sleep at nayeemhaider90@gmail.com