Dowel Biswas

For over three decades, Bappa has been an invaluable asset to the country's music industry, and he continues to work on several projects, including his latest song “Shohorer Chokh”. Additionally, the musician launched a Bangla Ghazal album, titled “Onubhob”, just yesterday.

Known by various titles—“The Poet of Love” and “Poet of Ruposhi Bangla”—Jibanananda's metaphysical and magically realist verses have enchanted countless readers and audiences. His influence spills over from literature into cinema, inspiring iconic works from the 90s rock band Moheener Ghoraguli to films like Sayantan Mukherjee’s “Jhora Palok” and Robiul Alam Robi’s “Moribar Holo Taar Shwaad.”

Dhaka city seems to have experienced a juxtaposition of tradition and trepidation during this year’s Durga Puja celebrations.

Being a cartoonist is Morshed Mishu’s preferred public identity, or as he describes himself, an “artivist”—someone who practices activism through art in a non-traditional manner. Mishu, who rose to prominence through his political cartoons and social activism, has journeyed to every corner of the country to aid his fellow countrymen.

Fifteen years ago today, on September 12, 2009, Karim, revered as the "Baul king," passed away, leaving behind a profound yet humble legacy of love and mysticism. Growing up in the flood-prone lowlands of Sunamganj, Karim's music became a lifeline, reflecting the rhythms of waterlogged lands and the heartache of their people. His songs, simple yet profound, captured the essence of rural life, blending spirituality with raw emotion.

Kafka's “The Metamorphosis”, published in 1915, remains one of the most unsettling yet profound explorations of alienation and existential dread. The novella's iconic opening—“One morning, Gregor Samsa wakes up to find himself transformed into a giant insect”—sets the tone for a story that delves deep into the absurdity of human existence and the crushing weight of societal expectations.

Political cartoons played a pivotal role in the Anti-Discrimination Student Movement, transforming the revolution with artistic brilliance and courage.

As we are still counting down on our losses, the vandalism and destruction that took place at Joler Gaan frontman Rahul Ananda’s residence on Monday (July 5) afternoon has devastated many cultural activists and people at large.

It’s incredible how the same slogans, songs, anthems, and the spirit of Bengali nationalism and the Liberation War of 1971 are being echoed both on the streets and in assemblies, but this time with supporting views on the ongoing quota reform movement that has gripped the nation for the past month. Bengal has always been a land where political resurgence has stood on the stronghold of its culture.

The rally was a poignant reminder of the ongoing struggle for justice and reform in Bangladesh, highlighting the role of visual media professionals in amplifying the call for accountability and change.

As the country grapples with the ongoing quota reform protests, starting from July 1 and now on its 14th day, this song serves as a poignant reminder of the power and spirit of resistance. The government's heavy-handed response to peaceful protests, marked by violence and oppressive crackdowns, draws unsettling parallels to the struggles faced by countless others in the pursuit of justice and equality.

To make a film is to tell a story, and when it's a cumulation of collective consciousness, to find common social grounds, values, and ordinary yet telltale stories that create the base of development of human thought and psyche is a perfect example of a much needed social and cultural commentary.

From the heart-wrenching sacrifice of her son during the Liberation War to her relentless pursuit of justice for the thousands of Bengali mothers who also lost their children, Imam's struggle and determination were unwavering. Her fight didn't end with the war; it continued with a revolution aimed at ensuring that the most despicable traitors in Bengali history, the war criminals, faced appropriate punishment. Her unwavering commitment transformed personal tragedy into a national movement for justice and accountability.

A gifted artiste in this domain is lyricist Tushar Hasan, who has penned all the popular songs mentioned above. His contributions have not only defined this emerging trend but have also solidified his reputation as a leading figure in the world of brand anthems.

Humayun Faridee, a luminary of Bangladeshi stages, screens, and television, took his final breath on February 13, 2012, in Dhaka. Yet his physical departure does not signify erasure. His creations and artistry have transcended time, rendering him immortal in the hearts of his admirers. While literal victory over death is unattainable, Faridee achieved a form of immortality through the enduring legacy of his work.

In an exclusive interview with The Daily Star, the eminent artiste talked about his Liberation War days, our independence, theatre activism, his upcoming film projects, and more.

Chowdhury’s contributions go beyond this iconic song and journalism. He was a distinguished storyteller with notable works, including the acclaimed short story collection “Samrat-er Chhobi” (The Emperor’s Picture). He also authored significant novels and plays, consistently emerging as an active progressive writer and political commentator through the twists and turns of history. He was not just an observer of history but an active participant.

As the world commemorates the birth centenary of Kalim Sharafi, his legacy as a cultural icon and activist shines brightly, illuminating the path he forged with unwavering dedication and passion. Born on May 8, 1924 into a family rooted in the village of Khairadihi, West Bengal, Rabindra Sangeet maestro Sharafi's life journey was defined by a profound commitment to using art as a catalyst for social change.

Fakir Alamgir’s life embodies the spirit of May Day — representing both its struggles and triumphs. His lifelong dedication to the rights and welfare of the working class through his music marks him as a true champion of the labourers' cause.

The National Theatre Hall of Bangladesh Shilpakala Academy buzzed with excitement as the inaugural International Disability Art Festival 2024 commenced today, marking a significant milestone in arts and inclusivity.