The 141st edition of the World Film Manifestation Programme (WFMP), organised by the Dhaka University Film Society, began on April 6 at the TSC swimming pool with a theme that carried unmistakable political urgency: “Come and See the Blood in the Streets.” Conceived as a programme on war, repression, and the social consequences of organised violence, this edition sought to bring viewers into direct engagement with films that examine moments of upheaval, alongside the structures of power that make such upheaval possible and recurrent.