In a city where conversations around gender and representation are frequent, moments of genuine re-calibration remain rare. “The Other Voice” arrives at Bengal Shilpalay on January 28 not as a slogan-driven exhibition, but as a visual argument—one that insists women’s artistic practices in Bangladesh cannot be reduced to footnotes, themes, or exceptions.

The festival concludes on Saturday with Mahuya Manjari Sunanda performing Rabindranath Tagore’s lesser-known “Bhanga Gaan”.

Curated by Tanzim Wahab and inaugurated at Bengal Shilpalay, the exhibition was deeply responsive to the venue’s raw architectural setting. The works engaged with the space’s unfinished textures, amplifying the tension between delicacy and solidity that runs through Nupur’s practice.