'On the Other Side of Silence' is a thoughtful volume of poetry, not just because it summarises every existential crisis that visits contemporary life but also because it engages, unlike a postmodern cynic, with the issues that plague the world

Mowtushi Mahruba’s Africa in the Bengali Imagination: from Calcutta to Kampala, 1928-73 is a distinctive and pioneering work on the way the continent led to creative writing in English as well as Bengali over the decades

Aptly named Ateet Theke Adhuna: Bangladesher Naari Lekhok, this collection is unlike a conventional anthology. Starting with Rokeya Sakhawat Hossain, the list of writers includes an impressive 66 great authors.

Shahid Alam and I go back a long way, though we had both half-forgotten it until recently. He was two years senior to me at St. Gregory’s High School.

When I picked up Baitullah Quaderee’s 'Bangladesher Shater Dashaker Kabita', it wasn’t particularly out of scholarly curiosity. The book is, by design, a doctoral thesis—its structure conventional, its chapters arranged by academic demand—but what caught my interest was not the format, nor even the topic. It was the author himself. 

In Lakshmi’s Secret Diary, Ari Gautier crafts a dazzling, multi-layered narrative that is as whimsical as it is profound.

Storytelling is not easy, especially when a few words portray a character with depth and just enough strokes to etch the social milieu for certain classes and creeds and the outcomes of political ideologies in post-independent Bangladesh.

These stories subtly highlight how even within patriarchal structures, men, too, are shaped, sometimes twisted by the systems they benefit from.

Ravindra's prose is brisk, smooth, and detailed, with numerous stories from traditional Nepali and Hindu folklore chipped in, adding layers as the story unfolds.

How does one write about history? Certainly, there is the straight-forward, head-on approach, where a historical period is confronted directly by populating it with historical/fictional characters and portraying the times through their eyes.

Review of ‘Reframing My Worth: Memoir of a Bangladeshi-Canadian Woman’ by Habiba Zaman (FriesenPress, 2024)

Begum Rokeya was once described as a “Spider Mother” (makar-mata or makarsha janani) in her biographical account but there is nothing sinister in this metaphor. The image of the spider here symbolises the quiet, patient, and selfless labour of an educator, caring for children who were not her own. Shamsunnahar Mahmud, her close co-worker, wrote: “Day after day in this way, with the blood of her own breast, Spider Mother began to revive hundreds of baby spiders into new life.”

There are any number of ways one can approach Rahat Ara Begum’s collection of short stories, 'Lost Tales from a Bygone Era: An Anthology of Translation of Urdu Stories', assembled, contextualised, and published in this book by her loving grandchildren and their siblings

‘Fit for the Gods: Greek Mythology Reimagined’ (Vintage, 2023), edited by Jenn Northington and S. Zainab Williams, is a collection of classic myths with a twist

Suzanne Collins’ Hunger Games series has captivated pop culture with its bold take on tyranny, sacrifice, and resistance, spanning Katniss Everdeen’s blazing defiance in The Hunger Games (2008) to her final stand in Mockingjay (2010) against Coriolanus Snow’s cold cruelty.

In the contested notion of creating a ‘nation,’ few ideas provoke as much ire among the everyday citizens of a bordered entity as the concept of a space—one that carries with it the weight of instilling an identity.

Beyond the celebration of Eid, this book also explores themes of love, loss, and the grief of spending a special occasion without a loved one.

Melissa Lozada-Oliva takes us on a bumpy apocalyptic horror ride in her debut novel Candelaria. Spanning across three generations of women, the novel ushers together an unsettled past and an even more bizarre present.

“Mr Speaker Sir, what did Bangalee intend to achieve? What rights did Bangalee want to possess? We do not need to discuss and decide on them now [after independence]. [We] tried to press our demands after the so called 1947 independence. Each of our days and years with Pakistan was an episode of bloodied history; a record of struggle for our rights,” said Tajuddin Ahmad on October 30, 1972 in the Constituent Assembly. He commented on the proposed draft constitution for Bangladesh, which was adopted on November 4, 1972.

Review of ‘Apni Ki Alien Dekhte Chan?’ (Afsar Brothers, 2024) by Wasif Noor