Sharmin Joya

Like every Eid, actress Jannatul Sumaiya Heme has been busy balancing multiple projects across genres. This year too, the actress appears in a mix of romantic dramas, comedy-based stories, and emotionally driven narratives.

For Aisha Khan, Eid-ul-Azha is not defined by crowds, elaborate outings, or loud celebrations. Instead, the actress associates the occasion with quieter emotions — family, fear, reflection, and the deeply personal meaning of sacrifice.

She also looks back on childhood Eid-ul-Azha memories that continue to hold a special place in her heart.

This Eid, Niloy Alamgir will be seen in several dramas spanning multiple genres, including romance, family stories, and romcoms.

For Khairul Basar, “Bonolota Sen”, directed by Masud Hasan Ujjal, has been as much a creative gamble as it has been a career-defining artistic journey — one shaped by uncertainty, fragmented direction, and an unusually long process of discovery.

Another major spark this Eid season comes through the literary adaptation of “Masud Rana”, one of Bangladesh’s most iconic fictional characters. Adapted from the beloved spy-thriller series created by Qazi Anwar Hussain, the film arrives carrying decades of nostalgia and towering audience expectations.

With Eid-ul-Azha drawing near, filmmaker Saif Chandan is still caught in the whirlwind of last-minute work for his upcoming film “Malik”. Speaking candidly from India, where he is currently occupied with post-production responsibilities, the director reflected on the chaos surrounding the release, the challenges of promotion, and why audiences should give the film a chance this Eid.

After the massive cultural impact of “Hawa”, expectations surrounding Mejbaur Rahman Sumon’s upcoming release “Roid” have only continued to grow. Describing the film, he shares that it is not merely a love story, but an attempt to rediscover emotional depth, silence, and fading cultural identities in contemporary life.