Faiza Ramim

The gallery has been arranged with works on white plinths, biographical panels spread across the walls, and a long glass case containing garments and other belongings, which gives visitors a direct sense of the artist’s presence alongside the history of her practice.

Goswami, born in Netrakona in 1981, is a Bangladeshi visual artist, educator, curator and researcher. He studied drawing and painting at the Faculty of Fine Art, University of Dhaka, before completing a master’s degree in painting at Kala Bhavana, Visva-Bharati University in Santiniketan.

Now, with Emma Stone’s fourth consecutive collaboration with Yorgos Lanthimos in the upcoming “Bugonia”, the pattern of enduring director–actor partnerships remain a defining feature of cinema.

Munir’s professional record gave the evening a substantial frame. His assignments have taken him from Bangladesh to Afghanistan, Sri Lanka, Thailand, and other major news locations.

The language of heritage found a contemporary visual form at Desh Art Gallery on Friday (June 26) evening as “Petals of Time”, a group art exhibition centred on art, memory, and cultural inheritance, opened at the gallery’s premises in Baridhara Diplomatic Zone.

Bangladesh Shilpakala Academy’s Fine Arts Department organised a commemorative discussion on Shilpaguru Safiuddin Ahmed, one of the pioneering figures of modern Bangladeshi art and printmaking, marking his 104th birth anniversary at the Milanayatan of the National Art Gallery in Dhaka on Tuesday (June 23).

A seven-day art exhibition titled “Odhikarer Shongram”, translated as “The Struggle for Rights”, opened at the National Art Gallery of Bangladesh Shilpakala Academy in Dhaka on June 19, presenting a visual account of Bangladesh’s long political and democratic struggles, from the 1952 Language Movement to the 2024 July Mass Uprising.

There is a particular kind of silence that falls over an auditorium when two actors who have shared a life off stage agree, finally, to share one on it. That silence settled once again over the Nilima Ibrahim Milonayoton of Bangladesh Mahila Samity on Friday evening, as veteran theatre couple Ramendu Majumdar and Ferdousi Majumder returned to the stage in “Love Letters”, directed by their daughter Tropa Majumdar, in a fresh staging of Theatre’s production on June 19, 2026.