Known by various titles—“The Poet of Love” and “Poet of Ruposhi Bangla”—Jibanananda's metaphysical and magically realist verses have enchanted countless readers and audiences. His influence spills over from literature into cinema, inspiring iconic works from the 90s rock band Moheener Ghoraguli to films like Sayantan Mukherjee’s “Jhora Palok” and Robiul Alam Robi’s “Moribar Holo Taar Shwaad.”

Mumtaz spoke with palpable excitement about returning to Bangladesh. "We are going to perform in Bangladesh after over a decade," he said, his eyes twinkling with nostalgia. "All Jal fans are probably grown up now, like me," he added with a chuckle. "But still they remember all the songs, it's so overwhelming for us to come here again and receive such a heartwarming welcome."

Fifteen years ago today, on September 12, 2009, Karim, revered as the "Baul king," passed away, leaving behind a profound yet humble legacy of love and mysticism. Growing up in the flood-prone lowlands of Sunamganj, Karim's music became a lifeline, reflecting the rhythms of waterlogged lands and the heartache of their people. His songs, simple yet profound, captured the essence of rural life, blending spirituality with raw emotion.

Political cartoons played a pivotal role in the Anti-Discrimination Student Movement, transforming the revolution with artistic brilliance and courage.

While the internet was down, TV ratings skyrocketed. Most TV channels have confirmed that their ratings have doubled, although they couldn't provide actual figures as data couldn't be gathered physically. How did they assume their content was reaching the audience? The answer lies in the constant stream of advertisement breaks.

As I was preparing for the camera to roll, a humbling realisation struck me—this band had been crafting sonic masterpieces before I had even mastered my mother tongue. Their creations, like— "Oniket Prantor", "Onno Shomoy", "Obosh Onubhutir Deyal", "Amar Poth Chola", "Dhushor Shomoy"—had become the soundtrack to a generation’s hopes, dreams, and rebellions.

In Bangladesh and beyond, the success of productions like "Kacher Manush Dure Thuiya" and "Myself Allen Swapan" suggests that meme marketing is more than just a passing trend. It represents a fundamental shift in how audiences interact with and share content. As the digital landscape continues to evolve, those in the film and streaming industry who can master the art of the meme may find themselves with a significant advantage in capturing the ever-elusive attention of modern viewers.

Humayun Faridee, a luminary of Bangladeshi stages, screens, and television, took his final breath on February 13, 2012, in Dhaka. Yet his physical departure does not signify erasure. His creations and artistry have transcended time, rendering him immortal in the hearts of his admirers. While literal victory over death is unattainable, Faridee achieved a form of immortality through the enduring legacy of his work.

Chowdhury’s contributions go beyond this iconic song and journalism. He was a distinguished storyteller with notable works, including the acclaimed short story collection “Samrat-er Chhobi” (The Emperor’s Picture). He also authored significant novels and plays, consistently emerging as an active progressive writer and political commentator through the twists and turns of history. He was not just an observer of history but an active participant.

The man behind the song, Pankaj Udhas, brought Ghazal to the masses, popularising it and making it accessible to the multitude not only in his country India but also across the globe with his calm and controlled voice that won everybody’s hearts.

Mrinal Sen, a pioneering figure of Indian cinema, continues to inspire artistic representation of social consciousness. Born on May 14, 1923, in Faridpur, his journey as a filmmaker traversed tumultuous socio-political landscapes. Through the composition of his illustrious career, he distinguished himself as a filmmaker of unparalleled vision and courage, particularly because his works transcended mere entertainment to embody profound social commentary.

The musician is renowned for his exceptional lyricism and musical arrangements and has been a stalwart in the Bengali music scene for decades. Amidst his bustling studio life, he finds solace in the tranquillity of Shantiniketan, where his musical journey began as a disciple.

Rabindranath Tagore’s literary prowess extends far beyond the realm of literature. His creations have served as a beacon of inspiration for countless writers and poets who walked the path he paved.

Satyajit Ray and his brilliance have been a quintessential part of Bengali cinema and its representation worldwide for decades. Talking about why and how his masterpieces are legendary never seems enough, and perhaps it never will be.

Fakir Alamgir’s life embodies the spirit of May Day — representing both its struggles and triumphs. His lifelong dedication to the rights and welfare of the working class through his music marks him as a true champion of the labourers' cause.

Born on May 2, 1921, Ray’s artistic journey began in the realm of commercial art before he became a filmmaker. His encounter with French filmmaker Jean Renoir and his experience with Vittorio De Sica's groundbreaking film “Bicycle Thieves” during a trip to London were pivotal, steering him toward independent filmmaking.

As we journey through his life and musical endeavours, we pay homage to the trailblazer who continues to inspire and resonate with audiences long after his departure seven years ago on this day in 2017.

His rendition of "Shada Shada Kala Kala" marked a turning point, garnering widespread acclaim and affirming his belief that Bangladeshis would embrace him as one of their own if he pursued Bangla music wholeheartedly.

Despite the advent of sound in cinema, Chaplin remained true to his silent roots, continuing to produce silent films even as talkies gained popularity. Films like "City Lights", "The Gold Rush", and "Modern Times" are timeless classics that showcase Chaplin's unmatched ability to entertain and inspire.

Whenever an oppressive force tried to forcefully take their land and rice, the people of this country conjured up such resistance that even the strongest of forces had to retreat.