He was our mentor: Mamunur Rashid

Actor, playwright and director Mamunur Rashid reflected on a lifelong relationship with one of Bangladesh’s most revered cultural figures.

Reflecting on a relationship that began in the 1960s, Rashid paid tribute to Monwar's wisdom, generosity and enduring legacy.

“Our beloved and deeply respected Mustafa Monwar was a very close person to us,” said Mamunur Rashid. “I first met him sometime in 1967 at Bangladesh Television. From that first introduction, our relationship continued throughout our lives. I learnt so much from him and gained invaluable knowledge through his guidance. He was a man of immense wisdom. Mustafa Monwar was our mentor — a mentor to generations of artists.”

Mamunur Rashid recalled affectionately calling him Montu bhai. “I received so much affection and warmth from him that it is impossible to put into words. Today, that dear Montu bhai is no longer with us. He has left behind an extraordinary legacy. We will remember his contributions, and so will this nation.”

Reflecting on their time together during the Liberation War, Rashid said, “In 1971, when I was working at the Swadhin Bangla Betar Kendra in Kolkata, I had the opportunity to spend a great deal of time with him. It was then that I truly realised what an exceptional human being he was — generous, kind-hearted and remarkably talented. Art was at the centre of everything he did.”

He also shared a personal memory from that period. “While working at Swadhin Bangla Betar Kendra in 1971, I wrote a stage play titled ‘Poshchimer Shiri’ (The Western Staircase).

Mustafa Monwar was supposed to direct the production in Kolkata. Then the country gained independence, and later we staged the play in Bangladesh. I have countless memories associated with him.”

Speaking about Monwar’s artistic stature, Mamunur Rashid said, “There are very few artists in Bangladesh who could match him in watercolour painting. Mustafa Monwar was a complete artist in every sense of the word. He possessed refined taste and remarkable artistic sensibilities. With the passing of such an extraordinary artist and human being, we are gradually losing those who once showed us the way.”
He noted that Monwar’s creative works would ensure his legacy endures for generations.

“His many creations will keep his memory alive. He directed timeless productions such as ‘Roktokorobi’ and ‘Mukhora Romoni Boshikoron’ (Taming of the Shrew). These are only a few among the many significant works that remain part of his artistic legacy.”

Rashid also highlighted Monwar’s deep commitment to children.

“Most importantly, he always thought about children. He devoted a great deal of his life to creating meaningful work for them. His heart was incredibly generous, and that is why he was able to produce so many wonderful works for young audiences. I have the deepest respect for him.”

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In his concluding remarks, Rashid said, “He had been unwell for a long time and fought bravely through his illness. Today, that long struggle has come to an end. His passing leaves us deeply deprived. He was also someone who constantly experimented with music and explored new creative possibilities. To speak fully about him would take a very long time. I believe he will continue to live on through his work.”