Mehrul Bari

Netflix’s new comedy-drama, The Chair (2021), should fit right up the alley of any and possibly every lit major or graduate.

The novel tracks the childhood of Abdul Khaleq, which comes back to the man every sleepless, teary-eyed night. The chapters alternate between these recollections—taking residence in rural 1940s Kolkata—and the now, where schoolteacher Khaleq repeats a daily Sisyphean routine in newly christened-Bangladesh.

On June 30, a virtual ceremony for the 2021 Commonwealth Short Story Prize was held, and for the first time in its history a Sri Lankan writer was announced as the overall winner.

Central to Kim Bo-Young’s winning I'm Waiting for You: And Other Stories (HarperCollins, 2021; transl. Sophie Bowman & Sung Ryu) are duality, symmetry, and (dis)harmony. This new four-story collection is divided right down its middle—where the first and fourth stories are continuations of one another, while the second and third merge to form a tessellation of one overarching narrative. In its 314 pages is a constellation of imagined lives, imagined realities, that try and verily succeed in drawing the reader into its bizarre, brilliant, and frequently confounding orbit. Bo-Young has done well in structuring the two main stories of the book, though the hooking nature of the first forces a halt when one turns the page over to the contemplative and shape-shifting second.

The first of the two-day memorial service for publisher emeritus Mohiuddin Ahmed was held at 7 PM on July 9. Family, friends, colleagues, and notable admirers gathered virtually to pay their respects to the late, great founder of the pioneering University Press Limited.

We here at Daily Star Books enjoy nothing more than a good short story. Composed to be read in one or two sittings, the short story form lends much to the imagination of its makers, whose creativities, according to many a writer, are only emboldened by the strict word limits intrinsic to the form. The world of film, too, shares in this admiring, as can be seen in over a century’s worth of adaptations—some faithful, some not; some insipid, some inspired—that all have been fuelled by the few thousand words set first to page. In this list is a collection of 10 unmissable adaptations.

The two batches of casting announcements for Netflix’s The Sandman have given fans of the iconic comic book series—after several years of “development hell” and pessimism—reasons finally for optimism. Now to be realised as a television series after decades of ill-starred cinematic attempts, Neil Gaiman’s The Sandman (DC Comics) can finally begin its ascent into our side of reality.

Grow Your Reader, an organisation founded recently on the directive of “ensuring quality education” for underprivileged children, has launched Book Garage, which opened its doors on the first of June. The initiative is founded on a simple ethos—leave your old books behind, so those that don’t have the means can pick up and discover a new book for free.

On the tail end of “The Lottery” in the summer of 1948, Shirley Jackson finished writing in one morning’s worth of work her underappreciated short story, “The Summer People”.

At Night All Blood Is Black (Farrar, Straus and Giroux, 2020; transl. Anna Moschovakis), shortlisted for the 2021 International Booker Prize, is a

On the occasion of World Book Day 2021, The University Press Limited (UPL) have initiated a literary criticism competition to be held from April 23 to May 31, the first part of which is set to conclude at 12 PM on May 7. The competition will be conducted virtually through Facebook, with every participant receiving an additional 5 percent discount on top of the ongoing discount on any order placed through the UPL page on the social media website. In addition, five contestants will be awarded UPL coupons at the end of the competition.

In Golden: Bangladesh at 50 (University Press Ltd, 2021) edited by Shazia Omar, 23 of Bangladesh’s eminent writers and poets—including Kaiser Haq, Arif Anwar, Shabnam Nadiya, Farah Ghuznavi, and others—find home for their varied expressions of Bangladeshi life, culture, history, love, hate, as well as the lulls that defined our quarantined existence this past year.

Despite Klara and the Sun (Faber, 2021) coming out on my birthday, and soft science fiction being not only a genre I regularly read but write, I found myself with no real connection with the Nobel Prize-winning author’s latest work.

One of 2020’s more positive highlights was Daisy Johnson’s stunning sophomore effort, Sisters (Riverhead Books). The novel, a Gothic-domestic drama, starts with siblings September and July in the backseat of a car, on their way to the “Settle House”.

In July of 2013, Patricia Lockwood wrote the decade’s most immediate and pressing poem, “Rape Joke”. Already by then Lockwood had amassed prizes and praises enough to fill a few cabinets.

“The thing was that everyone knew Julita’s parents hadn’t died in any accident: Julita’s folks had disappeared. They were disappeared. They’d been disappeared”.

In this last week of February, a shared sense of optimism, however cautious, is pervading much of the world and indeed our own. Slowly, and now safely, more and more events and programmes are opening their doors. Book enthusiasts can enjoy the following events this week:

Borja González is a self-taught illustrator, and you both can and cannot tell while looking at his resplendent new work, A Gift for a Ghost (Abram ComicArts, 2020).

Out of all the books that I had to speed through for work this year, Rumaan Alam’s Leave the World Behind was an exception.