The Toronto International Film Festival is scheduled to run from September 4 to 14.

The English-language Bangladeshi feature film “Dot” has received clearance from the Film Censor Board, paving the way for its release. Producer Barua Manojit Dhiman confirmed the news, adding that the official release date will be announced soon. The film is directed by Barua Sunanda Kakon.

He began his journey with Goutam Koiri’s “Antonagar” (2023) and quickly gained recognition through standout performances in Mostofa Sarwar Farooki’s “840” (2024), Vicky Zahed’s “Tithidor” (2024), and Ashfaque Nipun’s “Jimmi” (2025)—projects that significantly boosted his career. In conversation with The Daily Star, the actor reflected on his recent work and shared insights into his creative process.

TIFF 2025, set to run from September 4 to 14 in Toronto, will celebrate its 50th anniversary this year and is expected to draw the world's top filmmakers, industry executives, and press, making it an exceptional opportunity for the “Ali” team to share their work with an international audience.

The return of the iconic daily soap “Kyunki Saas Bhi Kabhi Bahu Thi” has proven to be a television phenomenon, clocking an impressive 1.659 billion watch minutes across TV and streaming platforms in its launch week, Star Plus announced yesterday.

Described as “Heat” meets “Hell or High Water” with the soul of a Bruce Springsteen ballad, the story follows Chalamet as a former MotoGP racer whose career was cut short by a devastating crash. Now running a small garage while caring for his drug-addicted father, his life takes a sharp turn when his father dies.

For those weary of superhero flicks and sequels, Star Cineplex is set to bring a chilling alternative this Friday with the release of two horror films.

To mark International Day of the World’s Indigenous Peoples on August 9, NTV will air a special tele-drama titled “Joya” tonight at 9:30pm.

Netflix’s “KPop Demon Hunters” has solidified its place among the platform’s biggest English-language films of all time. As of the week of July 28–August 3, the musical fantasy has racked up a staggering 158.8 million views since its premiere on June 20, securing the No 4 spot on Netflix’s all-time English-language film chart.

Marking his first non-Avatar feature in nearly 15 years, Cameron’s next film tackles the devastating legacy of the atomic bombing of Hiroshima — a story he calls the most powerful he's encountered since “Titanic”. The announcement coincides with the 80th anniversary of the bombing on August 6, lending further emotional weight to a project he describes as both deeply personal and artistically challenging.

The immediate trigger appears to be the upcoming box-office clash between Kaushik Ganguly’s “Dhumketu”, starring Dev and Subhashree Ganguly, and the Hindi film “War 2”, featuring Hrithik Roshan and Kiara Advani. Both films are slated to release on August 14.

Popular Dhallywood actor Nirab Hossain is going through a dynamic phase in his career, signing on to multiple new projects. Following “Golaap” by Samsul Huda and “Shironaam” by Anik Biswas, the actor is now set to star in “Desh”, directed by Kamrul Hasan Fuad. The first-look poster of the film was unveiled on Tuesday (August 5) night, officially announcing the new venture.

Following a successful theatrical run during Eid-ul-Azha, two blockbuster Bangladeshi films—“Taandob” and “Utshob”—are now set to stream online, offering an opportunity for those who missed the cinema screenings.

“The Eternal Journey” (Tadattwo Onneshan), an experimental short film by Bangladeshi filmmaker Fozle Rabby, has been officially selected for competition at the 3rd Karditsa International Short Film Festival Opseis (KISFFO 2025) in Greece.

Creative differences have prompted Ramy Youssef to part ways with Netflix’s upcoming golf-themed comedy series starring Will Ferrell. Originally onboard as a co-creator and co-showrunner alongside Josh Rabinowitz and Andy Campagna, Youssef and his collaborators exited the project last year, according to sources.

A special drone drama titled “Do You Miss Me” was showcased on Tuesday (August 5) night at the capital’s Manik Mia Avenue, marking the observance of July Mass Uprising Day.

We’ve all done it—clicked “next episode” with tears still in our eyes, let the credits roll as we stared blankly at the screen, a pit of something nameless blooming in our chest. Shows like “Baby Reindeer”, “Euphoria”, “13 Reasons Why”, and “BoJack Horseman”, to name a few, are not easy watches. They are raw, haunting, sometimes violent. Yet we keep returning— even when we say we need a break, even when we feel worse afterwards. And somewhere along the way, watching pain became the very way we process our own. Or maybe, just maybe, it became the way we avoid it.

Today marks the 84th death anniversary of Rabindranath Tagore, who passed away, leaving behind a timeless literary legacy. To commemorate his iconic contributions to literature, art, and music, several television channels have arranged special programming to honour the poet on this solemn day.

“Taan” is based on a story by legendary Bengali writer Bibhutibhushan Bandyopadhyay. The narrative revolves around an elderly man who is suddenly reunited with a long-lost lover, shaking the foundations of his family life. The emotional fallout from her return brings layers of drama, tension, and introspection.

The most obvious consequence of this surge in AI use has to be the deprivation of artists from jobs they would otherwise have. For a typical 2-minute OVC, an ad agency would have to commit to the cost of casting, filming, editing, and sound – a sizeable fee. It is becoming increasingly lucrative for companies to cut costs by simply using an AI render of what they envisioned.